Blue and White Porcelain Plaque Depicting Three Egrets in a Reed Pond, with Original Rosewood Frame and Metal Hanging Mount — Republic of China Period (Early 20th Century)
拍品描述
Dimensions: Approx. H 47.5 cm (18.7 in, 1.56 ft), W 35 cm (13.8 in, 1.15 ft); 20th CenturyCondition and Provenance: The porcelain plaque is preserved in good condition, with a clean white glaze and stable blue-and-white decoration. The painted surface remains intact with no visible major cracks, chips, or significant enamel loss. The original carved rosewood frame is well preserved with natural aged patina, and the openwork ruyi scroll metal hanging mount remains complete. The reverse wooden panel is intact, maintaining the original presentation form. Provenance: Private Collection, New York, USA,Description: This vertical rectangular blue-and-white porcelain plaque features an elegant bird-and-flower composition and is housed in its original carved rosewood frame with an openwork ruyi scroll metal hanging mount, making it a classic decorative panel for a scholar’s studio or traditional interior display. The plaque has a refined white glazed surface and is painted in blue-and-white pigments with a tranquil scene of three egrets among reeds, symbolizing academic success, advancement, and good fortune. The composition uses generous open space and follows the aesthetics of Chinese ink painting, with layered blue washes creating depth and atmosphere. Three egrets rest among the reed marsh, each bird shown in a different pose—one looking upward, another standing quietly, and another appearing alert. Their feathers are carefully rendered through delicate blue brushwork, with natural textures and expressive details. The surrounding reeds are arranged with a balanced rhythm, while soft blue tones create an open and peaceful waterside landscape. A square blue-and-white seal mark appears at the lower left, adding to the refined literati style that combines traditional painting techniques with porcelain decoration. The original rosewood frame is finely carved with raised borders, rounded corners, and a rich aged surface. The top features an integrated openwork ruyi cloud-pattern metal hanger, allowing the piece to be displayed easily. The reverse panel retains its original wooden construction and natural grain.
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