Ming Dynasty (15th–17th Century) Carved Wooden Seated Vairocana Buddha Sculpture

LOT 68 · 已成交

成交价 USD1400.00

拍卖时间:2026-09-26 23:00

拍卖行: East West Art Auction

专场: Asian Art Auction (Part II)

拍品描述

Dimensions: 30 cm high, 18 cm wide, 853 g; approx. 11.8 inches high x 7.1 inches wide, approx. 1.88 lbs; Ming Dynasty (15th-17th centuries); Condition and Provenance: Well-preserved overall, with natural aging of the wood core. Most of the original lacquer has peeled off, revealing the natural wood grain, age cracks, and early repair marks. The surface exhibits a deep, historical patina. Provenance: Private collection, California, USA. Description: This wooden Vairocana Buddha statue, carved from a single piece of wood, is 30 cm high, 18 cm wide, and weighs 853 g. It is representative of traditional Chinese Buddhist statues. The Buddha sits in a lotus posture on a lotus throne. The Buddha's full topknot, neatly arranged curls, round face, lowered eyelids, and serene expression convey compassion and peace. The long ears and soft facial contours further enhance its tranquility and serenity. The hands are placed in front of the chest, forming the Vajra Mudra, the signature hand gesture of Vairocana Buddha, with fingers interlaced, symmetrical and precise. The Buddha wears a wide monk's robe, which hangs naturally, with flowing folds and rounded lines, exuding confidence. The layers of folds are meticulously depicted, and the U-shaped robe ornament at the chest further demonstrates the craftsmanship. The lotus pedestal below the Buddha has full, layered petals, deeply carved. The openwork carvings on both sides of the lotus pedestal add dynamism and elegance, while the thick lotus petals retain an ancient and solemn quality. The back of the Buddha is well-preserved, showcasing the natural wood grain and cracks left by time. Most of the original lacquer has faded, revealing the underlying wood surface, presenting a weathered texture and a rich, aged luster. The base clearly shows the wood grain and natural cracks, preserving the true traces of time. This sculpture mainly employs the round carving technique, with a solemn form, rigorous Buddhist imagery, and powerful and expressive carving. After hundreds of years of worship and preservation, the old wood and mottled paint still retain the unique charm of traditional Chinese Buddhist wood carving.

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Ming Dynasty (15th–17th Century) Carved Wooden Seated Vairocana Buddha Sculpture 图片10