Song Dynasty (11th–12th Century) Northern Kiln White-Glazed Carved Peony Scroll Meiping-Style Rimmed Vase

拍品描述

Dimensions: Height 28 cm (11.02 in./0.92 ft), Mouth Diameter 11 cm (4.33 in./0.36 ft), Song Dynasty ceramic, 11th-12th century. Condition and Provenance: This vase is in excellent overall condition, with natural signs of aging. Genuine wear, firing marks, and signs of age are visible on the glaze, including minor surface flaking, old kiln marks, and a natural patina. The exposed foot reveals the original sandy clay body and distinctive firing marks. Provenance: Private collection, California, USA; long-term private collection. Description: This large Song Dynasty Northern Kiln white-glazed carved vase is a ceramic vessel that served both display and storage functions. The vase has a wide, flared mouth, a short, thick neck, full, rounded shoulders, a full body, and a slightly flared foot, giving it a stable and balanced overall shape. The body is made from the coarse and durable clay characteristic of Northern Kilns, and the exposed foot reveals the texture of the sandy clay and natural firing marks. The vessel is covered in a soft, grayish-white glaze with a warm ivory hue, showcasing the natural marks of time, subtle glaze shrinkage, and the natural surface characteristics formed during kiln firing. The lower part retains some glaze flow and wear, reflecting traditional folk kiln firing techniques. The body is decorated with intricately carved scrolling peony patterns, employing sculptural techniques. Elegant flowers, curling leaves, and winding vines meander along the rounded contours of the vessel. The carving is balanced and expressive, with smooth lines and distinct layers, creating a vivid decorative rhythm. The simple neck and rim form a delicate contrast, making the floral pattern on the body the visual focus. Peony motifs symbolize prosperity and good fortune and were one of the most revered decorative themes in Northern ceramics during the Song and Jin dynasties. This vase, large in size, beautifully shaped, and uniquely decorated, embodies the confident and natural artistic language of Northern Chinese folk kilns and is an important representative work of Song Dynasty ceramic craftsmanship.

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