Qianlong Period Qing Dynasty Gilt Copper Sunlight Tara Figure with Imperial Inscription (18th Century Qing Imperial Workshop Tibetan Buddhist Sculpture)

拍品描述

Dimensions: Overall height 17.5 cm (6.9 inches, 0.57 feet), figure height 14 cm (5.5 inches, 0.46 feet), weight 1664 grams (3.67 pounds); 18th-century Qing Dynasty, Qianlong period, imperial Buddhist sculpture. Condition and Provenance: Excellent condition. The sculpture is well-preserved, with exquisite gilding, showing traces of mineral blue pigment. The bronze surface exhibits natural patina. The lotus pedestal, inscriptions, decorative details, and original sealed base are all well-preserved. Provenance: Private collection, Bangkok, Thailand. This sculpture was cast using the lost-wax method, resulting in a substantial volume and a warm, aged appearance. Details are finely polished. The face and neck are richly gilded, and traces of natural mineral blue pigment remain on the crown, hair ornaments, and flowing ribbons. The overall form is elegant and understated. This bodhisattva statue displays the classic Tibetan Buddhist bodhisattva face, with gilded features, beautiful eyebrows, downturned eyelids, compassionate gaze, well-defined lips, and large, rounded earlobes. The five-leaf crown is exquisitely carved, adorned with scrolling foliage patterns. The towering topknot and finely carved hair further highlight the superb craftsmanship. The Bodhisattva is seated in the traditional lotus posture, with her hands forming the teaching mudra at her chest. Her slender waist, flowing shoulder straps, and elegant curled ends give her a graceful dynamism. The chest, arms, and robes are decorated with abundant beads and delicate scrolling foliage patterns, showcasing remarkable precision and balance. The double-layered lotus pedestal has full and upright petals, surrounded by beads, following the classic style of Qing Dynasty court Buddhist statues. The front of the base is engraved with "Respectfully cast during the Qianlong period of the Qing Dynasty," while the back is engraved with Buddhist inscriptions and the Dharma name "Sun Tara," following the conventions of Qing Dynasty court sculpture. The original sealed base is well-preserved, decorated with raised vajra patterns with clear lines, showcasing traditional Qing Dynasty craftsmanship. This sculpture combines exquisite bronze casting, gilding decoration, mineral pigments, and delicate carving techniques, embodying the elegance and spiritual connotation of court Buddhist art during the Qianlong period. It remains a highly sought-after treasure among international collectors.

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