Group of Two Song‑Dynasty Ceramics: Jizhou‑Ware Floral‑Rim Bowl and Yingqing Dragon‑Spout Water Dropper,10th‑13th Century A.D.

拍品描述

Dimensions：Jizhou bowl mouth diameter 14.4cm (5.67 in), height 5.5cm (2.17 in); Yingqing water dropper total height 6.7cm (2.64 in), body diameter 7.5cm (2.95 in), 10th‑13th Century A.D.Condition & Provenance：Both pieces are fully intact, no cracks, chips or restoration. The Jizhou bowl carries genuine aged patina, free‑hand black painted decoration inside remains visible, foot shows dry unglazed clay. The Yingqing water dropper bears burial‑induced earth discoloration; dragon spout and twisted handle are well‑preserved, base shows ancient firing rust, no acid washing or artificial modification. Provenance: Former private collection of a Song‑porcelain collector based in Illinois, USA. Acquired at Vancouver Asian Antique Art Fair in 2015, preserved within one family for more than twenty years. This group was only exhibited in private themed shows of Song folk‑kiln ceramics and has never been consigned to public auctions.Description：This ensemble includes two functional Song‑dynasty objects for scholar’s studio and tea culture. The Jizhou‑ware bowl features six‑lobed floral rim, flared opening and tapered body, covered in rich brown glaze with spontaneous abstract black painting inside, a representative everyday tea vessel from Jizhou kiln. The Yingqing water dropper served as ink‑stone watering tool. It has cylindrical body, twisted‑ribbon handle and vivid dragon‑head spout. Fine white body is coated in pale bluish‑green glaze marked by earthy burial stains with classic pad‑burning traces at base. Tea‑drinking and ink preparation were central to Song literati life; tea bowl and water dropper formed standard desk set. Contrasting dark Jizhou glaze and translucent Yingqing glaze exemplify varied aesthetic traditions across southern and northern Chinese kilns during Song period. Surviving together as an original group is uncommon. The set delivers display appeal, historical function and research significance for Song folk ceramic studies, highly appreciated by collectors from Illinois, California and Hong Kong.

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