19th Century Victorian Champlevé Enamel Bronze Mantel Clock with Figural Relief & Lion Feet, 1800s Victorian Era

LOT 339 · 已成交

成交价 USD2500.00

拍卖时间:2026-09-27 23:00

拍卖行: East West Art Auction

专场: Autumn Asian Art Auction (Part 3)

拍品描述

Dimensions:Overall Height 62 cm (24.41 in), Top Width 36 cm (14.17 in), Total Weight 16000g, European antique timepiece (Miscellaneous)Condition & Provenance:The entire bronze frame, cloisonné enamel and sculpted ornaments are fully intact with no missing pieces. The enamel fills are rich and saturated, with no large-scale color loss or broken metal wires. All bronze relief carvings including floral clusters, female busts and lion feet have no cracks or chips, covered in uniform natural aged bronze patina. The original internal mechanical movement, gears, pendulum and striking bell are fully intact and keep accurate time with functional hour striking. There are no replacement parts, solder repairs or aftermarket enamel touch-ups, only subtle minor surface wear accumulated over a century of natural circulation. Classified as European antique miscellaneous art, this clock circulated through New York, USA, previously owned by a veteran private collector specializing in Western antiques based in Manhattan, New York. It comes with appraisal archives from the Toronto Society of Western Horology and professional lab certification for 19th-century bronze cloisonné, with no aftermarket movement alterations, bronze body repairs or artificially aged patina forgery.Description:This monumental Victorian bronze cloisonné mantel clock represents a top-tier decorative functional antique crafted for European nobility, holding immense popularity among Western antique collectors across North America and highly sought after by vintage clock enthusiasts in Pennsylvania and Florida. Cast entirely from heavy solid bronze, the clock boasts a stately rectangular silhouette. The top features elaborate three-dimensional relief carvings of intertwined fruits and blooms, flanked by curved scroll arches and four lotus bud finial columns, with a central urn-shaped finial crowning the peak to create layered, opulent visual depth. Flanking the clock face are tall relief busts of classical maidens with soft, refined carving details, a signature motif of European neoclassical metalwork. The clock face panel rests on a sky-blue enamel ground covered entirely in fine cloisonné wirework: winding floral vines and symmetrical peacock scroll patterns filled with vivid red, yellow, pink, blue and green enamel hues, crafted with tight, uniform metal wire filigree. Twelve separate white porcelain Roman numeral markers are inset within an ornate beaded bronze ring, paired with a carved central bronze dial and vintage bronze hands that deliver authentic old-world charm. The base stands on four sculpted lion head feet conveying solemn grandeur, with a carved foliate shield plaque centered on the front apron; the base skirt is fully decorated with matching floral cloisonné to create cohesive balanced ornamentation from top to bottom. The reverse houses its original factory mechanical bronze movement, complete with hour striking bell and weighted pendulum. Precisely machined gears bear original factory serial numbers and production marks, fully operational for timekeeping and striking. The bronze exterior carries a smooth, natural antique patina formed over decades, untouched by modern polishing or artificial aging treatments. Large 19th-century bronze mantel clocks retaining all original hardware, intact full cloisonné enamel and fully functional factory movements are extremely scarce on today’s antique market. Most surviving examples suffer chipped enamel, missing movement components or damaged bronze castings requiring restoration. This well-preserved oversized piece unites three elite antique crafts: heavy bronze casting, intricate cloisonné enamel work and precision mechanical watchmaking. It balances practical timekeeping functionality with the sculptural beauty of European classical decorative art. It is ideal for long-term themed exhibitions at Western antique museums in New York and Vancouver, permanent high-end private collections of European antiques overseas, and interior styling for villas and vintage clubs to embody the luxurious aesthetic of Victorian European classical design.

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