Song Longquan Kiln Celadon Crackle Glaze Pipa Vase,13th‑14th Century

拍品描述

Measurements:Overall height 14 cm / 5.51 inches, mouth diameter 7.3 cm / 2.87 inches,13th‑14th Century Song-Yuan TransitionCondition & Provenance:The vase is fully intact with no cracks, chips or restorations. The entire surface is covered with natural fine golden thread crackles, with naturally layered crackle veins without artificial post-production crackle treatment. Faint aged burial patina remains along the rim and foot edge. The glaze retains soft natural luster without modern polishing or over-cleaning damage, and the exposed clay at the base shows dry, ancient original texture. This piece was once part of a long-established private Song porcelain collection in Hong Kong. It was acquired by a private East Asian antique ceramic collector based in Chicago, Illinois in 2021 and stored long-term inside a professional temperature and humidity controlled display cabinet.Object Description:This celadon pipa vase was fired at Longquan kilns during the Song-Yuan transition period, a classic porcelain flower vessel for ancient literati appreciation and display. Its silhouette mimics the outline of a pipa lute instrument. It features a wide flared folded rim, a short constricted neck, a plump bulging midsection that gently tapers toward the base, and a thick stable ring foot. The overall contour lines are soft and balanced with elegant proportions. Thick pale celadon-grey glaze covers both interior and exterior walls. The glaze layer is rich and velvety with subtle restrained sheen. The whole vessel is covered with fine interwoven natural crackles, stained with light yellowish-brown golden thread lines formed naturally over centuries, delivering a timeless rustic aesthetic. The glaze thins slightly at the rim, faintly revealing the pale grey clay body beneath. The ring foot is neatly trimmed; the base center remains fully glazed while a narrow strip of raw clay is exposed around the foot edge, marked with authentic ancient burial soil encrustation. Longquan celadon porcelain was widely cherished by imperial courts and scholars throughout the Song and Yuan dynasties. Small pipa vases like this were commonly used as study flower vases. Fully intact surviving specimens with uniform natural ancient crackles are fairly scarce. This example is preserved in outstanding condition, fully retaining authentic late Longquan kiln firing, glazing, crackle and trimming techniques from the Song-Yuan era. It serves as an excellent physical reference for studying late Longquan celadon aesthetics and traditional scholar’s studio culture, with exceptional decorative, functional and collectible antique value.

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