黃賓虹 山水

拍品描述

拍品名(英)：An Ink Landscape_Huang Binhong, 20th Century 文案(中)：黃賓虹（1865-1955），安徽歙縣人，近代山水畫巨匠。此軸以積墨法為主，層層點染，山巒渾厚華滋，筆墨蒼辣，所謂「黑、密、厚、重」。畫面鈐「賓虹」朱文印。賓虹晚年倡「濃、破、積、淡、潑、焦、宿」七墨法，此軸可窺其章法。立軸紙本墨筆，為傳統書齋陳設。 文案(英)：Huang Binhong (1865-1955), a native of Shexian, Anhui, was a giant of modern Chinese landscape painting. This hanging scroll is dominated by the "accumulated ink" technique, with layered dot washes creating thick, lush mountain formations and bold, powerful brushwork – characteristic of his "black, dense, thick, heavy" aesthetic. Bearing the red seal "Binhong", this work exemplifies Huang’s late-career theory of seven ink methods: thick, broken, accumulated, light, splashed, scorched, and settled. Executed in ink on paper, it is a classic scholar’s study piece. 列8： 列9：1955），安徽歙縣人，近代山水畫巨匠。此軸以積墨法為主，層層點染，山巒渾厚華滋，筆墨蒼辣，所謂「黑、密、厚、重」。畫面鈐「賓虹」朱文印。賓虹晚年倡「濃、破、積、淡、潑、焦、宿」七墨法，此軸可窺其章法。立軸紙本墨筆，為傳統書齋陳設。 Huang Binhong (1865- 　　　1955), a native of Shexian, Anhui, was a giant of modern Chinese landscape painting. This hanging scroll is dominated by the "accumulated ink" technique, with layered dot washes creating thick, lush mountain formations and bold, powerful brushwork – characteristic of his "black, dense, thick, heavy" aesthetic. Bearing the red seal "Binhong", this work exemplifies Huang’s late-career theory of seven ink methods: thick, broken, accumulated, light, splashed, scorched, and settled. Executed in ink on paper, it is a classic scholar’s study piece.

图片