仇英 金碧青綠山水圖

拍品描述

拍品名(英)：A Gilt Blue-and-Green Landscape with Thatched Cottage_Qiu Ying, Ming Dynasty 文案(中)：仇英尤擅青綠山水，師法趙伯駒、劉松年，工致秀雅，在明四家中以工筆重彩見長。此圖絹本青綠，寫溪山間草堂隱居之景，樓閣錯落，瀑布飛流，松樹夾岸，是典型的院體青綠山水風格。草堂題材源自古代隱逸文化，杜甫於成都築草堂，白居易有廬山草堂，歷代文人以草堂為棲隱之所，象徵遠離官場、回歸自然的理想。此圖設色明麗，筆法細密，是仇英青綠山水的代表性題材。 文案(英)：Qiu Ying mastered blue-and-green landscape, studying Zhao Boju and Liu Songnian to develop an exquisite, elegant style. Among the Four Ming Masters, he was known for meticulous brushwork and rich colour. This silk painting portrays a secluded thatched cottage among streams and hills, with pavilions, waterfalls and pine-lined banks – classic academy-style blue-and-green landscape. The cottage motif derives from ancient recluse culture: Du Fu’s thatched cottage in Chengdu and Bai Juyi’s Lu Mountain retreat made it an enduring symbol of withdrawal from official life. With bright colouring and fine detail, this work represents a quintessential theme in Qiu Ying’s oeuvre. 列8： 列9：仇英 金碧青綠山水圖 A Gilt Blue-and-Green Landscape with Thatched Cottage_Qiu Ying, Ming Dynasty 仇英尤擅青綠山水，師法趙伯駒、劉松年，工致秀雅，在明四家中以工筆重彩見長。此圖絹本青綠，寫溪山間草堂隱居之景，樓閣錯落，瀑布飛流，松樹夾岸，是典型的院體青綠山水風格。草堂題材源自古代隱逸文化，杜甫於成都築草堂，白居易有廬山草堂，歷代文人以草堂為棲隱之所，象徵遠離官場、回歸自然的理想。此圖設色明麗，筆法細密，是仇英青綠山水的代表性題材。 Qiu Ying mastered blue-and-green landscape, studying Zhao Boju and Liu Songnian to develop an exquisite, elegant style. Among the Four Ming Masters, he was known for meticulous brushwork and rich colour. This silk painting portrays a secluded thatched cottage among streams and hills, with pavilions, waterfalls and pine-lined banks – classic academy-style blue-and-green landscape. The cottage motif derives from ancient recluse culture: Du Fu’s thatched cottage in Chengdu and Bai Juyi’s Lu Mountain retreat made it an enduring symbol of withdrawal from official life. With bright colouring and fine detail, this work represents a quintessential theme in Qiu Ying’s oeuvre.

图片