文徵明 湖山平遠圖

拍品描述

拍品名(英)：A Level-Distance Lake and Mountain Landscape_Wen Zhengming, Ming Dynasty 文案(中)：文徵明山水畫有「粗文」「細文」兩種面貌，此圖屬細筆一路，絹本設色，寫湖山平遠之景，湖面開闊，遠山如黛，近處松樹茅亭，是典型的平遠山水構圖。平遠山水始於宋代，郭熙《林泉高致》論山水有三遠：高遠、深遠、平遠，平遠取其沖淡曠達之意。湖山平遠題材與江南水鄉的地理環境密切相關，文徵明為吳中人，長期生活於太湖流域，其山水多取湖山之景。此圖設色明麗，筆法細密，是文徵明中年時期山水畫的典型風貌。 文案(英)：Wen Zhengming’s landscapes present two modes: "broad Wen" and "fine Wen". This work belongs to the fine-brush tradition, depicting a panoramic level-distance view of lakes and mountains with pine trees and a thatched pavilion. Level-distance perspective was defined by Guo Xi in the Song Dynasty as one of three landscape modes, conveying serene expansiveness. The lake-and-mountain theme is tied to Jiangnan water town geography; as a Suzhou native, Wen Zhengming frequently drew on Taihu Lake scenery. With bright colouring and fine brushwork, this work is representative of his middle-period style. 列8： 列9：文徵明 湖山平遠圖 A Level-Distance Lake and Mountain Landscape_Wen Zhengming, Ming Dynasty 文徵明山水畫有「粗文」「細文」兩種面貌，此圖屬細筆一路，絹本設色，寫湖山平遠之景，湖面開闊，遠山如黛，近處松樹茅亭，是典型的平遠山水構圖。平遠山水始於宋代，郭熙《林泉高致》論山水有三遠：高遠、深遠、平遠，平遠取其沖淡曠達之意。湖山平遠題材與江南水鄉的地理環境密切相關，文徵明為吳中人，長期生活於太湖流域，其山水多取湖山之景。此圖設色明麗，筆法細密，是文徵明中年時期山水畫的典型風貌。 Wen Zhengming’s landscapes present two modes: "broad Wen" and "fine Wen". This work belongs to the fine-brush tradition, depicting a panoramic level-distance view of lakes and mountains with pine trees and a thatched pavilion. Level-distance perspective was defined by Guo Xi in the Song Dynasty as one of three landscape modes, conveying serene expansiveness. The lake-and-mountain theme is tied to Jiangnan water town geography; as a Suzhou native, Wen Zhengming frequently drew on Taihu Lake scenery. With bright colouring and fine brushwork, this work is representative of his middle-period style.

图片