唐寅 庭園雅集圖

拍品描述

拍品名(英)：A Blue-and-Green Garden Literary Gathering_Tang Yin, Ming Dynasty 文案(中)：唐寅，字伯虎，號六如居士，明四家之一，才華橫溢，詩文書畫皆精，山水師法周臣，兼取李唐、劉松年，筆墨秀潤勁健。此圖絹本青綠，寫寶繪堂之景，樓閣華美，人物活動其間，題款「正德二年夏四月畫 吳郡唐寅」。寶繪堂為北宋王詵（晉卿）的堂名，王詵為駙馬都尉，富收藏，與蘇軾、黃庭堅等交往密切，蘇軾曾作《寶繪堂記》。唐寅以此為題，既追慕北宋文人雅集之風，亦寄託自身的藝術理想。設色明麗，人物細密，是唐寅青綠山水的典型風格。 文案(英)：Tang Yin, courtesy name Bohu and sobriquet Liuru Jushi, was one of the Four Masters of the Ming Dynasty. Endowed with extraordinary talent, he excelled in poetry, calligraphy and painting. His landscapes drew from Zhou Chen with Tang and Song influences, characterised by elegant vigour. This blue-and-green silk painting depicts the scene of Baohui Hall with magnificent pavilions and figures, inscribed "Zhengde 2nd year summer, Tang Yin of Wu Prefecture". Baohui Hall was the estate of Northern Song collector Wang Shen, celebrated in Su Shi’s Record of Baohui Hall. Tang Yin chose this theme both as an homage to Northern Song literati gatherings and an expression of his own artistic ideals. With vivid colour and finely rendered figures, it exemplifies his blue-and-green landscape style. 列8： 列9：唐寅 庭園雅集圖 A Blue-and-Green Garden Literary Gathering_Tang Yin, Ming Dynasty 唐寅，字伯虎，號六如居士，明四家之一，才華橫溢，詩文書畫皆精，山水師法周臣，兼取李唐、劉松年，筆墨秀潤勁健。此圖絹本青綠，寫寶繪堂之景，樓閣華美，人物活動其間，題款「正德二年夏四月畫 吳郡唐寅」。寶繪堂為北宋王詵（晉卿）的堂名，王詵為駙馬都尉，富收藏，與蘇軾、黃庭堅等交往密切，蘇軾曾作《寶繪堂記》。唐寅以此為題，既追慕北宋文人雅集之風，亦寄託自身的藝術理想。設色明麗，人物細密，是唐寅青綠山水的典型風格。 Tang Yin, courtesy name Bohu and sobriquet Liuru Jushi, was one of the Four Masters of the Ming Dynasty. Endowed with extraordinary talent, he excelled in poetry, calligraphy and painting. His landscapes drew from Zhou Chen with Tang and Song influences, characterised by elegant vigour. This blue-and-green silk painting depicts the scene of Baohui Hall with magnificent pavilions and figures, inscribed "Zhengde 2nd year summer, Tang Yin of Wu Prefecture". Baohui Hall was the estate of Northern Song collector Wang Shen, celebrated in Su Shi’s Record of Baohui Hall. Tang Yin chose this theme both as an homage to Northern Song literati gatherings and an expression of his own artistic ideals. With vivid colour and finely rendered figures, it exemplifies his blue-and-green landscape style.

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