陳洪綬 群賢雅集圖

拍品描述

拍品名(英)：An Ink Painting of Scholars Gathering_Chen Hongshou, Late Ming to Early Qing 文案(中)：陳洪綬，號老蓮，明末清初畫家，人物畫別樹一幟，造型誇張古拙，線條圓勁細密，對後世人物畫影響深遠。此圖絹本水墨，寫群賢雅集之景，人物或坐或立，談笑風生，是典型的文人雅集題材。雅集題材始於東晉，王羲之《蘭亭集序》記載的蘭亭雅集為濫觴，此後西園雅集、玉山雅集等成為文人畫的經典題材，象徵文人之間的詩酒唱和與精神交流。陳洪綬人物畫以古拙見長，此圖人物造型獨特，線條細密，是其人物畫的典型風格。 文案(英)：Chen Hongshou, sobriquet Laolian, was a late-Ming to early-Qing painter known for distinctive, exaggerated archaic figure forms and bold, delicate lines. This silk work depicts scholars gathered in conversation – a classic literati assembly theme. The literary gathering motif originated in the Eastern Jin, epitomised by the Orchid Pavilion Gathering. Chen’s figure paintings are celebrated for archaic austerity; this work, with unique forms and intricate linework, exemplifies his signature style. 列8： 列9：陳洪綬 群賢雅集圖 An Ink Painting of Scholars Gathering_Chen Hongshou, Late Ming to Early Qing 陳洪綬，號老蓮，明末清初畫家，人物畫別樹一幟，造型誇張古拙，線條圓勁細密，對後世人物畫影響深遠。此圖絹本水墨，寫群賢雅集之景，人物或坐或立，談笑風生，是典型的文人雅集題材。雅集題材始於東晉，王羲之《蘭亭集序》記載的蘭亭雅集為濫觴，此後西園雅集、玉山雅集等成為文人畫的經典題材，象徵文人之間的詩酒唱和與精神交流。陳洪綬人物畫以古拙見長，此圖人物造型獨特，線條細密，是其人物畫的典型風格。 Chen Hongshou, sobriquet Laolian, was a late-Ming to early-Qing painter known for distinctive, exaggerated archaic figure forms and bold, delicate lines. This silk work depicts scholars gathered in conversation – a classic literati assembly theme. The literary gathering motif originated in the Eastern Jin, epitomised by the Orchid Pavilion Gathering. Chen’s figure paintings are celebrated for archaic austerity; this work, with unique forms and intricate linework, exemplifies his signature style.

图片