八大山人 荷塘蘆雁圖

拍品描述

拍品名(英)：An Ink Painting of Lotus Pond with Reed Geese_Bada Shanren, Early Qing Dynasty 文案(中)：八大山人即朱耷，明宗室後裔，明亡後出家為僧，後又入道，書畫獨樹一幟，以簡約誇張的筆墨抒發亡國之痛，是清初「四僧」之一。此圖水墨寫荷塘蘆雁，荷葉以潑墨寫之，蘆雁或飛或棲，姿態生動，題款「戊寅夏日 八大山人」。荷塘蘆雁是八大山人常見的花鳥題材，雁為候鳥，南來北往，寄託故國之思；荷出淤泥而不染，象徵品格高潔。筆墨簡約而意蘊深長，是八大山人花鳥畫的典型風貌。 文案(英)：Bada Shanren (Zhu Da), a Ming imperial clansman, became a Buddhist monk then Daoist practitioner after the dynasty’s fall. His highly distinctive art uses sparse, exaggerated brushwork to express dynastic grief, placing him among the Four Monks of the early Qing. This ink work depicts a lotus pond with geese in flight and at rest, inscribed "Wuyin summer day, Bada Shanren". Geese, as migratory birds, carry connotations of homeland longing; lotuses symbolise purity amid adversity. With spare brushwork and profound implication, this work epitomises Bada’s signature bird-and-flower style. 列8： 列9：八大山人 荷塘蘆雁圖 An Ink Painting of Lotus Pond with Reed Geese_Bada Shanren, Early Qing Dynasty 八大山人即朱耷，明宗室後裔，明亡後出家為僧，後又入道，書畫獨樹一幟，以簡約誇張的筆墨抒發亡國之痛，是清初「四僧」之一。此圖水墨寫荷塘蘆雁，荷葉以潑墨寫之，蘆雁或飛或棲，姿態生動，題款「戊寅夏日 八大山人」。荷塘蘆雁是八大山人常見的花鳥題材，雁為候鳥，南來北往，寄託故國之思；荷出淤泥而不染，象徵品格高潔。筆墨簡約而意蘊深長，是八大山人花鳥畫的典型風貌。 Bada Shanren (Zhu Da), a Ming imperial clansman, became a Buddhist monk then Daoist practitioner after the dynasty’s fall. His highly distinctive art uses sparse, exaggerated brushwork to express dynastic grief, placing him among the Four Monks of the early Qing. This ink work depicts a lotus pond with geese in flight and at rest, inscribed "Wuyin summer day, Bada Shanren". Geese, as migratory birds, carry connotations of homeland longing; lotuses symbolise purity amid adversity. With spare brushwork and profound implication, this work epitomises Bada’s signature bird-and-flower style.

图片