龔賢 水墨山水手卷

拍品描述

拍品名(英)：An Ink Landscape Handscroll_Gong Xian, Early Qing Dynasty 文案(中)：龔賢，號半千，明末清初畫家，「金陵八家」之首，主張「我師造物」，山水以積墨法見長，層層暈染，蒼潤渾厚，別樹一幟。此卷紙本水墨，寫山水之景，峰巒疊嶂，飛瀑流泉，樹木蒼鬱，題款於上。長卷是中國繪畫的重要形式，始於魏晉，盛行於宋元，以其連續性的敘事空間，適合表現山水的悠遠與深邃。龔賢山水多取南京周邊之景，以積墨法營造蒼茫渾厚的氣氛，此卷筆墨蒼潤，層次豐富，是其山水畫的典型風貌，反映了清初金陵畫派的藝術成就。 文案(英)：Gong Xian, sobriquet Banqian, was leader of the Eight Masters of Jinling, advocating "learning from nature" and celebrated for layered ink-wash technique. This paper handscroll depicts mountain scenery with layered peaks, waterfalls and lush trees. The handscroll format, originating in Wei-Jin and flourishing in Song-Yuan, conveys landscape expansiveness through continuous narrative. Gong’s landscapes often depict Nanjing environs, creating a vast, dense atmosphere. With rich tonal variation, this work exemplifies his signature style and Jinling School achievement. 列8： 列9：龔賢 水墨山水手卷 An Ink Landscape Handscroll_Gong Xian, Early Qing Dynasty 龔賢，號半千，明末清初畫家，「金陵八家」之首，主張「我師造物」，山水以積墨法見長，層層暈染，蒼潤渾厚，別樹一幟。此卷紙本水墨，寫山水之景，峰巒疊嶂，飛瀑流泉，樹木蒼鬱，題款於上。長卷是中國繪畫的重要形式，始於魏晉，盛行於宋元，以其連續性的敘事空間，適合表現山水的悠遠與深邃。龔賢山水多取南京周邊之景，以積墨法營造蒼茫渾厚的氣氛，此卷筆墨蒼潤，層次豐富，是其山水畫的典型風貌，反映了清初金陵畫派的藝術成就。 Gong Xian, sobriquet Banqian, was leader of the Eight Masters of Jinling, advocating "learning from nature" and celebrated for layered ink-wash technique. This paper handscroll depicts mountain scenery with layered peaks, waterfalls and lush trees. The handscroll format, originating in Wei-Jin and flourishing in Song-Yuan, conveys landscape expansiveness through continuous narrative. Gong’s landscapes often depict Nanjing environs, creating a vast, dense atmosphere. With rich tonal variation, this work exemplifies his signature style and Jinling School achievement.

图片