張大千 禪佛人物故事手卷

拍品描述

拍品名(英)：A Handscroll of Chan Buddhist Figure Narratives_Zhang Daqian, 20th Century 文案(中)：張大千一生創作宏富，山水、人物、花鳥皆精，早年仿古，中年潑墨潑彩，晚年自成一家，是現代畫壇最具影響力的畫家之一。此畫冊紙本，篇幅宏大（680×48cm），當為張大千繪畫的作品集。張大千畫冊題材廣泛，山水、人物、花鳥皆有，其山水師法歷代大家，融會貫通；人物師法唐寅、陳洪綬，線條流暢；花鳥師法徐渭、八大，筆墨恣肆。張大千嘗言：「筆墨當隨時代」，其繪畫在繼承傳統的基礎上不斷創新，對現代中國畫的發展影響深遠。此畫冊是研究張大千繪畫藝術的重要實物。 文案(英)：Zhang Daqian was an extraordinarily prolific artist excelling in landscapes, figures and bird-and-flower subjects. This extensive paper handscroll (680×48cm) presents a collection of his Buddhist figure paintings. Zhang’s figure paintings drew from Tang Yin and Chen Hongshou with fluid lines; his landscapes synthesised ancient masters. He famously stated: "Brushwork must evolve with the times". His art, rooted in tradition yet continuously innovative, exerted far-reaching influence on modern Chinese painting. This handscroll is a key resource for studying his artistic oeuvre. 列8： 列9：張大千 禪佛人物故事手卷 A Handscroll of Chan Buddhist Figure Narratives_Zhang Daqian, 20th Century 張大千一生創作宏富，山水、人物、花鳥皆精，早年仿古，中年潑墨潑彩，晚年自成一家，是現代畫壇最具影響力的畫家之一。此畫冊紙本，篇幅宏大（680×48cm），當為張大千繪畫的作品集。張大千畫冊題材廣泛，山水、人物、花鳥皆有，其山水師法歷代大家，融會貫通；人物師法唐寅、陳洪綬，線條流暢；花鳥師法徐渭、八大，筆墨恣肆。張大千嘗言：「筆墨當隨時代」，其繪畫在繼承傳統的基礎上不斷創新，對現代中國畫的發展影響深遠。此畫冊是研究張大千繪畫藝術的重要實物。 Zhang Daqian was an extraordinarily prolific artist excelling in landscapes, figures and bird-and-flower subjects. This extensive paper handscroll (680×48cm) presents a collection of his Buddhist figure paintings. Zhang’s figure paintings drew from Tang Yin and Chen Hongshou with fluid lines; his landscapes synthesised ancient masters. He famously stated: "Brushwork must evolve with the times". His art, rooted in tradition yet continuously innovative, exerted far-reaching influence on modern Chinese painting. This handscroll is a key resource for studying his artistic oeuvre.

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