傅抱石 人物線描稿本

拍品描述

拍品名(英)：An Album of Line-Drawn Figure Sketches_Fu Baoshi, 20th Century 文案(中)：傅抱石人物畫師法顧愷之、陳洪綬，線條流暢勁健，人物造型古雅，別樹一幟，與其山水畫齊名。此線描本紙本，為傅抱石人物畫的白描作品。白描始於北宋李公麟，以純墨線條勾勒物象，不施色彩，是中國人物畫的重要技法，要求畫傢俱有深厚的線條功力。傅抱石人物畫多取古代文人、仕女、神話人物為題材，其線描師法顧愷之的「高古遊絲描」與陳洪綬的「折蘆描」，線條流暢而富有變化。此線描本是研究傅抱石人物畫技法的重要實物，反映了現代中國人物畫的藝術成就。 文案(英)：Fu Baoshi’s figure painting, modelled on Gu Kaizhi and Chen Hongshou, features fluid, vigorous lines and archaic elegance, earning equal acclaim with his landscapes. This paper album showcases his baimiao (outline drawing) technique. Baimiao, originating with Li Gonglin of the Northern Song, uses pure ink lines without colour, requiring profound line mastery. Fu’s figures draw on ancient scholars, palace ladies and mythology, combining "high ancient silk thread" and "broken reed" stroke traditions. This album is important evidence for studying his figure technique. 列8： 列9：傅抱石 人物線描稿本 An Album of Line-Drawn Figure Sketches_Fu Baoshi, 20th Century 傅抱石人物畫師法顧愷之、陳洪綬，線條流暢勁健，人物造型古雅，別樹一幟，與其山水畫齊名。此線描本紙本，為傅抱石人物畫的白描作品。白描始於北宋李公麟，以純墨線條勾勒物象，不施色彩，是中國人物畫的重要技法，要求畫傢俱有深厚的線條功力。傅抱石人物畫多取古代文人、仕女、神話人物為題材，其線描師法顧愷之的「高古遊絲描」與陳洪綬的「折蘆描」，線條流暢而富有變化。此線描本是研究傅抱石人物畫技法的重要實物，反映了現代中國人物畫的藝術成就。 Fu Baoshi’s figure painting, modelled on Gu Kaizhi and Chen Hongshou, features fluid, vigorous lines and archaic elegance, earning equal acclaim with his landscapes. This paper album showcases his baimiao (outline drawing) technique. Baimiao, originating with Li Gonglin of the Northern Song, uses pure ink lines without colour, requiring profound line mastery. Fu’s figures draw on ancient scholars, palace ladies and mythology, combining "high ancient silk thread" and "broken reed" stroke traditions. This album is important evidence for studying his figure technique.

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