張大千 秋遊圖冊頁

拍品描述

拍品名(英)：A Two-Panel Folding Screen of Autumn Excursion Landscape_Zhang Daqian, 20th Century 文案(中)：張大千山水畫融會古今，早年仿古，中年潑墨潑彩，晚年自成一家，是現代畫壇最具影響力的畫家之一。此作為設色紙本二折屏，寫湖山漫遊之景，湖面開闊，遠山如黛，近處松樹茅亭，人物或行舟或漫步，是典型的江南水鄉題材。屏風始於西周，盛行於漢唐，既有遮蔽風寒的實用功能，亦具裝飾與分隔空間的作用，二折屏為屏風的常見式樣。張大千山水畫中多有漫遊題材，寄託了他對自然山水的熱愛與嚮往。設色明麗，筆墨秀潤，是張大千中年時期山水畫的典型風貌。 文案(英)：Zhang Daqian’s landscapes synthesise ancient and modern traditions: early archaistic works, mid-career splashed-ink techniques, and late personal style. This two-panel paper screen depicts wandering among lakes and mountains with boating and strolling figures – classic Jiangnan theme. Folding screens originated in Western Zhou, serving wind-shielding and space-dividing functions. The wandering theme reflects Zhang’s love of nature. With vivid colour and elegant brushwork, this work represents his middle-period landscape style. 列8： 列9：張大千 秋遊圖冊頁 A Two-Panel Folding Screen of Autumn Excursion Landscape_Zhang Daqian, 20th Century 張大千山水畫融會古今，早年仿古，中年潑墨潑彩，晚年自成一家，是現代畫壇最具影響力的畫家之一。此作為設色紙本二折屏，寫湖山漫遊之景，湖面開闊，遠山如黛，近處松樹茅亭，人物或行舟或漫步，是典型的江南水鄉題材。屏風始於西周，盛行於漢唐，既有遮蔽風寒的實用功能，亦具裝飾與分隔空間的作用，二折屏為屏風的常見式樣。張大千山水畫中多有漫遊題材，寄託了他對自然山水的熱愛與嚮往。設色明麗，筆墨秀潤，是張大千中年時期山水畫的典型風貌。 Zhang Daqian’s landscapes synthesise ancient and modern traditions: early archaistic works, mid-career splashed-ink techniques, and late personal style. This two-panel paper screen depicts wandering among lakes and mountains with boating and strolling figures – classic Jiangnan theme. Folding screens originated in Western Zhou, serving wind-shielding and space-dividing functions. The wandering theme reflects Zhang’s love of nature. With vivid colour and elegant brushwork, this work represents his middle-period landscape style.

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