和田玉魚化龍擺件

拍品描述

拍品名(英)：A Hetian Jade Carving of Fish-Dragon Transformation_Qing Dynasty 文案(中)：魚化龍題材源自「鯉魚躍龍門」傳說，《三秦記》載江海魚集龍門下，登者化龍，不登者點額而還，後世以之喻科舉及第、脫胎換骨。此擺件雕雙魚騰躍，大者已現龍首之相，小者緊隨其後，下方海浪翻湧，恰是「躍龍門」的瞬間定格。和闐玉留皮巧作，天然皮色化作魚身斑紋，是清代玉雕「巧色」工藝的體現，亦承載著傳統社會對向上流動的美好寄託。 文案(英)：The fish-dragon motif derives from the carp-leaping-Dragon-Gate legend, symbolising career advancement and social mobility. This carving depicts two leaping fish – one already showing dragon features – amid churning waves. The Hetian jade uses natural skin as fish markings, exemplifying Qing "clever colour" (qiaose) jade technique and traditional aspirational culture. 列8： 列9：和田玉魚化龍擺件 A Hetian Jade Carving of Fish-Dragon Transformation_Qing Dynasty 魚化龍題材源自「鯉魚躍龍門」傳說，《三秦記》載江海魚集龍門下，登者化龍，不登者點額而還，後世以之喻科舉及第、脫胎換骨。此擺件雕雙魚騰躍，大者已現龍首之相，小者緊隨其後，下方海浪翻湧，恰是「躍龍門」的瞬間定格。和闐玉留皮巧作，天然皮色化作魚身斑紋，是清代玉雕「巧色」工藝的體現，亦承載著傳統社會對向上流動的美好寄託。 The fish-dragon motif derives from the carp-leaping-Dragon-Gate legend, symbolising career advancement and social mobility. This carving depicts two leaping fish – one already showing dragon features – amid churning waves. The Hetian jade uses natural skin as fish markings, exemplifying Qing "clever colour" (qiaose) jade technique and traditional aspirational culture.

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