和田玉佛手擺件
拍卖行： 豐藝(香港)拍賣有限公司
专场： 精品中國書畫、瓷器及雜項專場
拍品描述
拍品名(英)：A Hetian White Jade Double Buddha’s Hand Carving_Qing Dynasty 文案(中)：佛手諧音「福壽」，是傳統吉祥陳設的經典題材，明清時期廣泛用於文房與廳堂陳設。此件以和闐白玉雕雙佛手，瓣指蜷曲自然，枝葉纏繞，形態寫意而生動。白玉質地溫潤瑩潔，與佛手的吉祥寓意相得益彰。配紫檀底座，更顯沉穩。佛手題材在清代玉雕中極為常見，反映了當時社會對福壽雙全的普遍追求，也是清代吉祥文化在物質層面的集中體現。 文案(英)：The Buddha’s hand fruit, punning on "fortune and longevity", was widely used in Ming-Qing interiors. This double Buddha’s hand carving features naturally curled segments and intertwined branches. The warm lustrous white jade complements the auspicious theme. Fitted with Zitan base, it reflects Qing society’s aspiration for fortune and longevity. 列8： 列9：和田玉佛手擺件 A Hetian White Jade Double Buddha’s Hand Carving_Qing Dynasty 佛手諧音「福壽」，是傳統吉祥陳設的經典題材，明清時期廣泛用於文房與廳堂陳設。此件以和闐白玉雕雙佛手，瓣指蜷曲自然，枝葉纏繞，形態寫意而生動。白玉質地溫潤瑩潔，與佛手的吉祥寓意相得益彰。配紫檀底座，更顯沉穩。佛手題材在清代玉雕中極為常見，反映了當時社會對福壽雙全的普遍追求，也是清代吉祥文化在物質層面的集中體現。 The Buddha’s hand fruit, punning on "fortune and longevity", was widely used in Ming-Qing interiors. This double Buddha’s hand carving features naturally curled segments and intertwined branches. The warm lustrous white jade complements the auspicious theme. Fitted with Zitan base, it reflects Qing society’s aspiration for fortune and longevity.
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