清 和田玉山子

拍品描述

拍品名(英)：A Hetian Jade Mountain Carving with Landscape and Figures_Qing Dynasty 文案(中)：山子為玉雕陳設的經典題材，以玉石雕成山水景致，始於宋代，盛於明清，是文人案頭清供的重要品類。此山子以和闐青白玉雕就，高浮雕山水人物，畫面中高士觀瀑、攜琴訪友，層巒疊嶂，松樹掩映，是傳統山水畫的立體再現。山子題材深受文人畫影響，講究「咫尺千里」的意境，將自然山水濃縮於方寸之間，是文人「臥遊」理想的物質載體。清代乾隆時期山子雕達到鼎盛，此件是清代玉山子的代表作品，反映了當時文人審美與玉雕工藝的結合。 文案(英)：Jade mountain carvings (shanzi), flourishing in Ming-Qing, condense landscape into miniature scholar’s desk curios. This Hetian green-white jade high-relief mountain depicts scholars viewing waterfalls and visiting with zithers. Influenced by literati painting’s "thousand li in square inch" ideal, it embodies the "reclining travel" concept. It represents Qianlong-period peak jade mountain craft. 列8： 列9：清 和田玉山子 A Hetian Jade Mountain Carving with Landscape and Figures_Qing Dynasty 山子為玉雕陳設的經典題材，以玉石雕成山水景致，始於宋代，盛於明清，是文人案頭清供的重要品類。此山子以和闐青白玉雕就，高浮雕山水人物，畫面中高士觀瀑、攜琴訪友，層巒疊嶂，松樹掩映，是傳統山水畫的立體再現。山子題材深受文人畫影響，講究「咫尺千里」的意境，將自然山水濃縮於方寸之間，是文人「臥遊」理想的物質載體。清代乾隆時期山子雕達到鼎盛，此件是清代玉山子的代表作品，反映了當時文人審美與玉雕工藝的結合。 Jade mountain carvings (shanzi), flourishing in Ming-Qing, condense landscape into miniature scholar’s desk curios. This Hetian green-white jade high-relief mountain depicts scholars viewing waterfalls and visiting with zithers. Influenced by literati painting’s "thousand li in square inch" ideal, it embodies the "reclining travel" concept. It represents Qianlong-period peak jade mountain craft.

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