黃花梨嵌和田白玉魚化龍插屏
拍卖行： 豐藝(香港)拍賣有限公司
专场： 精品中國書畫、瓷器及雜項專場
拍品描述
拍品名(英)：A Huanghuali Table Screen Inset with Hetian White Jade Fish-Dragon_Qing Dynasty 文案(中)：插屏始於宋代，由屏風演變而來，初為臨時遮擋，至明清漸成文房案頭清供，兼具屏障與裝飾之效。魚化龍典出《三秦記》「鯉魚躍龍門」，喻科舉登第、飛黃騰達。此屏以黃花梨為框，嵌和田白玉雕魚化龍，玉質溫潤，雕工靈動，是文人案頭勵志清供的典型之作。 文案(英)：Table screens evolved from folding screens in the Song, becoming refined desk ornaments by Ming-Qing. The "fish transforming into dragon" motif alludes to the carp-leaping-Dragon-Gate legend, symbolising imperial examination success. This screen features a Huanghuali frame inset with a Hetian white jade fish-dragon carving. The warm lustrous jade and lively carving make it a classic aspirational scholar’s desk piece. 列8： 列9：黃花梨嵌和田白玉魚化龍插屏 A Huanghuali Table Screen Inset with Hetian White Jade Fish-Dragon_Qing Dynasty 插屏始於宋代，由屏風演變而來，初為臨時遮擋，至明清漸成文房案頭清供，兼具屏障與裝飾之效。魚化龍典出《三秦記》「鯉魚躍龍門」，喻科舉登第、飛黃騰達。此屏以黃花梨為框，嵌和田白玉雕魚化龍，玉質溫潤，雕工靈動，是文人案頭勵志清供的典型之作。 Table screens evolved from folding screens in the Song, becoming refined desk ornaments by Ming-Qing. The "fish transforming into dragon" motif alludes to the carp-leaping-Dragon-Gate legend, symbolising imperial examination success. This screen features a Huanghuali frame inset with a Hetian white jade fish-dragon carving. The warm lustrous jade and lively carving make it a classic aspirational scholar’s desk piece.
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