清 青金石滿工燭臺一對

拍品描述

拍品名(英)：A Pair of Lapis Lazuli Candlesticks with Elaborate Decoration_Qing Dynasty 文案(中)：青金石為古老寶石，因色相如天而被視為珍貴，《石雅》載「青金石色相如天，或復金屑散亂，如眾星麗天」，自古以來為宮廷與貴族所重。此對燭台以青金石雕就，滿工浮雕龍紋、饕餮紋、回紋等，下承銅胎琺琅底座，是清代青金石雕刻與琺琅工藝結合的作品。青金石雕刻難度極高，因其質地鬆脆，需因材施藝。燭台為照明器具，始於兩漢，至明清發展為兼具實用與裝飾的陳設器。清代宮廷青金石器物製作發達，多用於文房與佛堂，此對燭台是清代宮廷風格陳設器的實例，反映了當時宮廷工藝的多樣性。 文案(英)：Lapis lazuli, prized for sky-like colour with golden flecks per Shi Ya, was valued by courts and nobility. This pair has full relief dragon, taotie and key-fret patterns on cloisonné bases. Carving brittle lapis is highly challenging. Used in studies and temples, they exemplify Qing imperial decorative craft diversity. 列8： 列9：清 青金石滿工燭臺一對 A Pair of Lapis Lazuli Candlesticks with Elaborate Decoration_Qing Dynasty 青金石為古老寶石，因色相如天而被視為珍貴，《石雅》載「青金石色相如天，或復金屑散亂，如眾星麗天」，自古以來為宮廷與貴族所重。此對燭台以青金石雕就，滿工浮雕龍紋、饕餮紋、回紋等，下承銅胎琺琅底座，是清代青金石雕刻與琺琅工藝結合的作品。青金石雕刻難度極高，因其質地鬆脆，需因材施藝。燭台為照明器具，始於兩漢，至明清發展為兼具實用與裝飾的陳設器。清代宮廷青金石器物製作發達，多用於文房與佛堂，此對燭台是清代宮廷風格陳設器的實例，反映了當時宮廷工藝的多樣性。 Lapis lazuli, prized for sky-like colour with golden flecks per Shi Ya, was valued by courts and nobility. This pair has full relief dragon, taotie and key-fret patterns on cloisonné bases. Carving brittle lapis is highly challenging. Used in studies and temples, they exemplify Qing imperial decorative craft diversity.

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