清 壽山石自在觀音坐像

拍品描述

拍品名(英)：A Shoushan Stone Royal Ease Guanyin_Qing Dynasty 文案(中)：自在觀音又稱「水月觀音」，是觀音三十三應身之一，以自在坐姿（半跏趺坐或遊戲坐）表現菩薩隨緣度化、自在無礙的境界。此像以壽山石（白芙蓉帶紅筋）雕就，觀音自在坐，手持經卷，神態閒雅，是清代壽山石雕刻的作品。壽山石因產於福建壽山而得名，明清以來為印章與雕刻的珍貴材質，白芙蓉石質地溫潤細膩，被譽為「石中之後」。清代壽山石佛像多為文人書齋供奉之用，反映了當時士大夫階層的信仰生活與審美趣味。 文案(英)：Royal Ease (Water-Moon) Guanyin, one of thirty-three manifestations, expresses spontaneous liberation. This white furong Shoushan stone figure with red veins holds a sutra scroll in graceful leisure pose. Shoushan stone, prized for seals and carvings, was used for scholar’s study Buddhist figures, reflecting literati religious life and aesthetic taste. 列8： 列9：清 壽山石自在觀音坐像 A Shoushan Stone Royal Ease Guanyin_Qing Dynasty 自在觀音又稱「水月觀音」，是觀音三十三應身之一，以自在坐姿（半跏趺坐或遊戲坐）表現菩薩隨緣度化、自在無礙的境界。此像以壽山石（白芙蓉帶紅筋）雕就，觀音自在坐，手持經卷，神態閒雅，是清代壽山石雕刻的作品。壽山石因產於福建壽山而得名，明清以來為印章與雕刻的珍貴材質，白芙蓉石質地溫潤細膩，被譽為「石中之後」。清代壽山石佛像多為文人書齋供奉之用，反映了當時士大夫階層的信仰生活與審美趣味。 Royal Ease (Water-Moon) Guanyin, one of thirty-three manifestations, expresses spontaneous liberation. This white furong Shoushan stone figure with red veins holds a sutra scroll in graceful leisure pose. Shoushan stone, prized for seals and carvings, was used for scholar’s study Buddhist figures, reflecting literati religious life and aesthetic taste.

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