明 銅鎏金坐佛

拍品描述

拍品名(英)：A Gilt Bronze Seated Bodhisattva_Ming Dynasty 文案(中)：此像以銅鑄就，表面鎏金，菩薩半跏趺坐（遊戲坐）於蓮台之上，右手施無畏印，左手與願印，寶冠莊嚴，披帛繞身，是明代漢傳佛教菩薩造像的典型式樣。半跏趺坐又稱「遊戲坐」，表現菩薩隨緣度化、自在無礙的境界。無畏印寓意拔除眾生恐懼，與願印寓意滿足眾生願求。明代漢傳佛教造像趨於世俗化，面相豐圓，體態勻稱，衣紋流暢，此像是明代銅佛造像的代表作品，反映了當時佛教藝術的審美取向。 文案(英)：This gilt bronze bodhisattva in royal ease pose on lotus throne has abhaya (fearlessness) and varada (wish-granting) mudras, with crown and flowing scarves – classic Ming Han Buddhist sculpture. Royal ease pose expresses spontaneous liberation; mudras symbolise removing fear and fulfilling wishes. With rounded countenance and fluid drapery, it exemplifies Ming secularised Buddhist sculpture style. 列8： 列9：明 銅鎏金坐佛 A Gilt Bronze Seated Bodhisattva_Ming Dynasty 此像以銅鑄就，表面鎏金，菩薩半跏趺坐（遊戲坐）於蓮台之上，右手施無畏印，左手與願印，寶冠莊嚴，披帛繞身，是明代漢傳佛教菩薩造像的典型式樣。半跏趺坐又稱「遊戲坐」，表現菩薩隨緣度化、自在無礙的境界。無畏印寓意拔除眾生恐懼，與願印寓意滿足眾生願求。明代漢傳佛教造像趨於世俗化，面相豐圓，體態勻稱，衣紋流暢，此像是明代銅佛造像的代表作品，反映了當時佛教藝術的審美取向。 This gilt bronze bodhisattva in royal ease pose on lotus throne has abhaya (fearlessness) and varada (wish-granting) mudras, with crown and flowing scarves – classic Ming Han Buddhist sculpture. Royal ease pose expresses spontaneous liberation; mudras symbolise removing fear and fulfilling wishes. With rounded countenance and fluid drapery, it exemplifies Ming secularised Buddhist sculpture style.

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