李可染 積墨飛瀑山水 - 設色紙本 鏡片

拍品描述

英文品名：Li Keran, Landscape with Flying Waterfall in Accumulated Ink, mounted, ink and colour on paper 李可染（1907—1989），江蘇徐州人，近現代中國畫宗師，師從齊白石、黃賓虹，倡導「為祖國山河立傳」，開創獨具面貌的「李家山水」，於現代水墨山水發展影響深遠。此幅積墨飛瀑山水，以其獨到積墨法寫山澗飛瀑之景，層層疊染，墨色濃鬱渾厚，山林蒼翠鬱勃，元氣淋漓。高崖飛瀑如白練懸垂，與濃墨林巒形成強烈明暗對比，光感動人。石拱橋橫跨澗流，行人策杖其間，山居隱現林麓，生氣盎然。構圖飽滿充實，將西畫寫生光影觀念融入傳統筆墨體系，氣象蒼茫深邃，兼具雄渾氣魄與詩意情懷，體現其「黑、滿、崛、亮」的典型風格特質，是其盛年期積墨山水的經典面貌。 Li Keran (1907–1989), a native of Xuzhou, Jiangsu, was a grand master of modern Chinese painting. A disciple of Qi Baishi and Huang Binhong, he advocated “portraying the rivers and mountains of the motherland” and founded the distinctive “Li-style landscape”, exerting a far-reaching influence on the development of modern ink landscape painting. This layered-ink waterfall landscape depicts a mountain stream with plunging falls using his unique layered ink technique, built up through successive washes with rich, dense ink tones, exuding lush verdant vitality and vigorous spirit. The waterfall cascading down the high cliff like a white silk ribbon forms a striking contrast of light and shade with the dark ink forested peaks, with impressive luminous effect. A stone arch bridge spans the stream, with figures walking with staffs upon it, and mountain dwellings half-hidden among the wooded foothills, brimming with life. With a full, dense composition that integrates Western plein-air light and shadow concepts into the traditional brushwork system, it conveys a vast, profound atmosphere combining majestic vigour and poetic sentiment, embodying his signature stylistic traits of “darkness, fullness, dynamism and brightness” as a classic example of his layered-ink landscape from his mature period.

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