Mississippian Shell-Tempered Loop-Handled Jar, Hiwassee Island
拍卖行: Artemis Fine Arts
专场: 美洲原住民民族志古代艺术品
拍品描述
Native American, Mississippian culture, Southeastern Woodlands, ca. 900–1550 CE. A rounded, wide-mouthed jar hand-built from shell-tempered clay, its globular body swelling from a softly convex base to a slightly incurving rim. Two small loop handles rise from the shoulder, opposed across the vessel and pierced for suspension or lifting, with a further pair of low lug projections set between them. The surface is burnished and unslipped, ranging from warm terracotta orange across the upper body to smoky charcoal grays and blacks where reduction firing and hearth use darkened the walls. Coil-building marks and slight asymmetry remain visible, the honest evidence of a domestic pot made for cooking, storing, and serving. Vessels of this class dominate Mississippian household assemblages along the Tennessee River, where shell tempering allowed thin, thermally resilient walls suited to repeated heating. Size: 5.1" H x 8.6" W x 9" D (13.0 cm H x 21.8 cm W x 22.9 cm D). Shell tempering is the technological signature of the Mississippian world (roughly 1000 to 1550 CE): burned and crushed mussel shell mixed into the clay body reduced shrinkage and thermal stress, permitting potters to build thinner, lighter, more durable vessels than the grit- and sand-tempered wares of the preceding Woodland tradition. The loop-handled globular jar is the workhorse of that repertoire, appearing by the thousands in village middens and domestic contexts across the Tennessee, Cumberland, and Mississippi valleys. Hiwassee Island, at the confluence of the Hiwassee and Tennessee rivers in Meigs County, gave its name to the Hiwassee Island phase, defined during the Tennessee Valley Authority excavations of the 1930s directed by Thomas M. N. Lewis and Madeline Kneberg. Their published sequence remains a foundational chronology for the Mississippian occupation of eastern Tennessee, and ceramic types named there are still used to date sites across the region. SHIPPING: We coordinate worldwide shipping in-house through specialist international forwarders experienced with fine art and antiquities customs manifests. International buyers must confirm, prior to bidding, that their country's customs authority will accept the item. All duties, taxes, clearance fees, and any costs arising from customs delays, seizures, re-export, returns, or loss in transit are the buyer's sole responsibility. Artemis assumes no liability for items refused entry, detained, or lost after export. We cannot ship ancient items to their country of origin (Egyptian to Egypt, Greek to Greece, etc.).For those not using LiveAuctioneers' Live Ship program, Artemis Fine Arts offers expert in-house packing and worldwide shipping. With over 20 years of experience, our team provides careful, reliable, and affordable service. For a quick quote on this lot, please contact support@artemisfinearts.com prior to the auction, or call 720-890-7700. PAYMENT EXCEPTION: For clients not previously established with Artemis, payment for all gold, precious metal, and gemstone lots must be made by bank wire transfer or certified bank check/money order, without exception. Item #202276
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