張大千 江行清遊圖兩幀 設色紙本 立軸

拍品描述

英文品名：ZHANG DAQIAN, RIVER JOURNEY, TWO SCROLLS, INK AND COLOUR ON PAPER, HANGING SCROLL 尺寸：L:110cm;W:40cm (x2) 紙本設色，立軸兩幀。二軸皆寫江景：一軸臨崖陡立，蒼松橫偃，崖上文人杖立，崖下舟中坐客閒話；另一軸開曠江天，漁舟盪槳，兩岸坡石叢樹。山石以青綠淺絳相間，線條清剛，題詩長行於上。大千山水由石濤八大上窺宋元，此對幅寫意瀟灑，附原裝木盒。張大千（1899–1983），四川內江人，原名正權，又名爰，字季爰，號大千。早歲隨其兄張善孖習畫，後赴日本京都習染織。歸國後臨撫石濤、八大山人，幾可亂真，由是知名。一九四一至四三年赴敦煌莫高窟，臨摹壁畫兩年餘，畫風為之一變。中年後行蹤遍歷南美、美國、香港、臺灣，創潑墨潑彩之法，氣象蒼茫。晚年定居臺北外雙溪摩耶精舍。 Two hanging scrolls, ink and colour on paper, a set. Both depict river scenes: one shows a steep cliff with a leaning pine, a scholar standing above while boat passengers chat below; the other opens onto a wide river with a fishing boat rowing between tree-lined banks. The rocks are rendered in blue-green and pale red, the lines clear and vigorous, long poems inscribed on each. An original wood box accompanies. Zhang Daqian (1899-1983), born Zhang Yuan in Neijiang, Sichuan, studied painting with his elder brother Shanzi and later studied dyeing in Kyoto. He first made his name through near-perfect copies after Shi Tao and Bada Shanren. From 1941 to 1943 he spent over two years copying murals at Dunhuang, transforming his style. Living later in South America, the United States and finally Taiwan, he developed his splash-ink and splash-colour manner.

图片