民國 粉彩百子圖蓋碗一對“大清乾隆年製”款

拍品描述

英文品名：A PAIR OF FAMILLE ROSE COVERED BOWLS WITH THE HUNDRED BOYS, BEARING A SIX-CHARACTER QIANLONG MARK 尺寸：D:13cm;H:8cm 一對帶蓋蓋碗，器形周正。蓋面及碗身通景繪百子圖：眾孩童身著綵衣，或舉幡旗「太平天下」、或擊鼓、或舞獅、或提燈遊行，場面熱鬧。蓋鈕及口沿飾青花回紋邊。底書礬紅「大清乾隆年製」六字篆書方款。對成完整，繪工細膩。百子圖繪眾孩童遊藝之景，源出《詩經·大雅·思齊》「大姒嗣徽音，則百斯男」，本讚美周文王之后多子多賢。宋代以後成為吉祥題材，瓷器、織錦、年畫上常見，繪兒童舞獅、擊鼓、提燈、舉「太平天下」幡，寓「多子多福」「太平盛世」。蓋碗為清代飲茶之器，一杯一蓋一托，乾隆以後尤為流行，多作節慶賓客之用。 A pair of covered bowls with domed lids and knops. Both cover and bowl are painted all-round with a Hundred Boys scene: crowds of children in colourful robes carrying banners inscribed Peace under Heaven, beating drums, dancing with lions and parading with lanterns. The knops and rims are edged with underglaze-blue key-fret. The base bears a red six-character seal-script mark of the Qianlong period. The Hundred Boys motif derives from the Classic of Poetry, which praises King Wen's queen as the mother of many virtuous sons. From the Song onward it became an auspicious subject on porcelain, brocade and New Year prints, showing children dancing lions, beating drums, carrying lanterns and holding banners inscribed Peace under Heaven. It wishes for many sons and an age of prosperity. The covered bowl itself is a tea vessel that became popular after the Qianlong reign, used for serving guests on festive occasions.

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