清 胭脂紅地粉彩百子鬧春雙龍耳蒜頭瓶

拍品描述

英文品名：A QING ROUGE-RED GROUND FAMILLE-ROSE GARLIC-HEAD VASE WITH GILT DRAGON HANDLES AND HUNDRED BOYS 尺寸：L:22cm;H:46cm 粉彩蒜頭瓶，碩腹長頸。通體胭脂紅（珊瑚紅）地，上描金錦地開光。頸部兩側貼塑雙龍耳，龍身描金。腹兩面開光，內繪粉彩百子鬧春圖：童子百十成羣，或舉燈、或放鳶、或嬉戲於亭臺樹石間。口沿、足邊描金。設色濃麗，金彩相映，為清代宮式粉彩大瓶。百子圖源自《詩經》「太姒嗣徽音，則百斯男」，祝人多子多福。漢代畫像石已見嬰戲圖，宋代以後成為瓷器常見題材。清代粉彩百子圖多用於節慶、萬壽慶典，童子或舉燈、或放鳶、或鬧學，園亭樹石錯落，人物眾多而層次不紊。胭脂紅地描金開光，是乾隆以來宮廷粉彩典型式樣。 A famille-rose garlic-head vase on a rich rouge-red, coral, ground reserved with gilt brocade panels. The neck is fitted with two applied dragon handles picked out in gilt. Two large roundels on the body contain Hundred Boys at spring festival: scores of boys carry lanterns, fly kites and play among pavilions, trees and rocks. Rims and foot are gilt. The palette is rich, set off by gilt. The Hundred Boys motif descends from the Book of Songs blessing Lady Tai Si with a hundred sons; boys-at-play appear on Han tomb reliefs and became a standard porcelain subject from the Song. Qing fencai hundred-boy scenes were used for festivals and imperial birthdays, with crowds of boys flying kites, carrying lanterns and playing in gardens, organised by pavilions and rocks. The rouge-red ground with gilt brocade roundels is a typical Qianlong court palette.

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