清 窯變釉葫蘆瓶

拍品描述

英文品名：A QING FLAMBÉ-GLAZED DOUBLE-GOURD VASE 尺寸：L:19cm;H:30cm 窯變釉葫蘆瓶，小口短頸，聯珠式束腰，上下兩腹。通體施窯變釉，釉色以天青、月白為主，間泛玫瑰紫、窯紅斑塊，垂流自然，釉面玻化光瑩。圈足露胎，呈鐵黑色。造型端穩，釉色瑰麗，為清代雍正、乾隆以來景德鎮窯變釉名品。窯變釉為銅紅釉在高溫還原氣氛中自然流動的產物。銅在窯溫約一千三百攝氏度下，因窯位、燃料、厚薄而呈青、紫、紅、月白諸色，變幻莫測，故名窯變。宋代鈞窯已以窯變著稱，清雍正、乾隆間唐英督陶，復燒鈞釉，重現宋代玫瑰紫、海棠紅、天青諸色，多作葫蘆、膽式、各式瓶，陳設於宮廷。 A flambé-glazed double-gourd vase with small mouth and a beaded waisted joint. The glaze ranges from sky-blue to moon-white streaked with rose-purple and crimson, flowing naturally and glassy on the surface. The foot ring is left exposed in iron-black. Flambé, or yaobian, is produced when copper-red glaze flows unpredictably in a reducing kiln atmosphere near 1300 degrees; copper develops blue, purple, red and moon-white tones according to position, fuel and thickness, hence the name kiln transformation. Song Jun ware was famed for it; under Yongzheng and Qianlong the supervisor Tang Ying revived Jun glazes, reproducing rose-purple, begonia-red and sky-blue colours on gourd, gall-bladder and other vases for the court.

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