清 木雕山水山子擺件

拍品描述

英文品名：A QING WOOD CARVING OF A LANDSCAPE MOUNTAIN (SHANZI) 尺寸：H:20cm 木雕。山子隨形雕成，奇峯突兀，山壁鏤雕蒼松，鱗幹虯枝，松下澗壑蜿蜒；山間隱現小亭，閣樓依山。木質深沉，包漿瑩潤，雕工蒼勁，為清代文房清供之山子，摹擬宋元山水意境。山子又稱「硯山」，置於文房案頭，摹縮名山大川。宋代以來，文人好太湖石、靈璧石供几案，所謂見山水而思林泉。清代山子取材多紫檀、黃楊、紅木，依木勢隨形雕出，蒼松、澗水、小亭，皆取宋元山水畫意。賞玩時伴香茗、法書，以手指摩挲，日久包漿瑩然，與硯、筆床、水滴同列文房清供，是士大夫不出堂戶而臥遊的寄託。 A wood mountain carving worked in the round from a natural block. Jagged peaks rise, with a gnarled pine carved in openwork on the crag, its scales and branches detailed; a winding ravine and a small pavilion nestle among the heights. The wood is dark with a mellow patina. It was made as a scholar's desk ornament evoking the spirit of Song-Yuan landscape painting. A shanzi, or inkstone mountain, is a miniature landscape carved for the scholar's desk, compressing famous peaks into arm's reach. Since the Song, literati have placed Taihu or Lingbi rocks on their tables, seeking woods and springs without leaving the studio. Qing mountain carvings were usually in zitan, boxwood or hongmu, worked from the natural block, with pines, ravines and pavilions evoking Song-Yuan painting. They were admired over tea and calligraphy, rubbed by the fingers until the patina glowed, grouped with inkstones, brush-rests and water-droppers as pure offerings of the studio, enabling the scholar to lie in travel from his chair.

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