清早期 紫檀木雕百財陰刻詩文筆筒“雲槎山人”款

拍品描述

英文品名：AN EARLY QING ZITAN BRUSH POT WITH INCISED CABBAGE AND POEM, SIGNED "YUNCHA SHANREN" 尺寸：D:14.5cm;H:14.5cm 紫檀木雕。圓筒式筆筒，口沿外撇，平底。外壁一側淺刻白菜兩株，菜葉翻卷自然，葉脈陰刻纖細，坡地淺草綴其下；另一側陰刻行書詩文，刀法瘦勁，詩末署「雲槎山人」並綴方印。木色深紫褐，紋理縱橫，包漿瑩潤，為清代早期文房用具。筆筒置於書案，用以貯毛筆。紫檀木質堅緻，色澤沉穆，自明代以來即為文房硬木首選。此器以陰刻刀法寫白菜，諧音「百財」，取招財納福之意；陰刻又稱陷地雕，於光素地子上以刀代筆，刻痕填以深色，使書畫脫出。清代文房雕刻多取詩文與花果相配，兼具實用與清賞。 A zitan brush pot of cylindrical form with a slightly everted rim and flat base. One side is carved in low relief with two cabbage plants, leaves curling naturally, veins finely incised, with grassy ground beneath; the other side bears incised running-script calligraphy ending in the signature Yuncha shanren and a square seal. The wood is a deep purple-brown with an even patina. An early Qing scholar's desk object. Brush pots stand on the desk to hold writing brushes. Zitan, dense and dark, has been a preferred wood for the scholar's desk since the Ming. The cabbage (baicai) is a visual pun for a hundred wealth, carrying an auspicious meaning. Incised carving works like brush calligraphy on plain wood, the grooves darkened to render text and painting. Qing scholar's carvings commonly paired poetry with fruit and flower subjects for both use and contemplation.

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