清 竹雕深浮雕鏤空山水人物筆筒

拍品描述

英文品名：A QING BAMBOO BRUSH POT CARVED IN DEEP RELIEF AND OPENWORK WITH LANDSCAPE AND FIGURES 尺寸：D:14.5cm;H:17cm 竹雕。圓筒式筆筒，口沿與底足鑲黑硬木邊。外壁以深浮雕兼鏤空雕通景山水：松幹虯曲，亭台人物錯落其間，或立或坐，童子侍立，意境幽遠。器身上方陰刻「福聚」二字，樹石間另刻「丙寅」干支款並綴方印。竹色棗紅，刀層豐富，為清代竹雕文房。嘉定竹雕始於明代，以朱鶴諸家為宗，其法取筠竹，去青留肌，以深浮雕、透雕寫園林人物，層層鏨削，使畫面高懸。所謂深雕，竹壁鏤空至三、四層，人物松亭皆凸出竹地，最上再刻詩款。清代竹筆筒多作通景山水，一週無斷，觀者轉側如行畫中。此器松針細刻、人物衣紋流暢，為清代嘉定一路風格。 A bamboo brush pot of cylindrical form, the rim and foot bound with dark hardwood. The exterior is carved in deep relief and openwork as a continuous landscape: twisting pines, pavilions and figures at rest and at leisure, attended by boys. Above are incised the characters fu ju, and among the rocks a cyclical date bingyin with a square seal. The bamboo is a jujube red with rich layered carving. A Qing bamboo scholar's object. Jiading bamboo carving began in the Ming, associated with masters such as Zhu He. The method uses mature bamboo, removing the green skin and carving deep relief and openwork to render garden figures layer by layer. In deep carving the bamboo wall is cut through three or four levels so figures and pines stand proud of the ground, with a poetic inscription at the top. Qing brush pots often carried continuous landscapes around the whole wall, so that turning the pot felt like walking through a painting. Here the pine needles and drapery follow the Jiading manner.

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