清 大漆百寶鑲松鶴延年圖掛屏一組四件

拍品描述

英文品名：A SET OF FOUR RED LACQUER PANELS WITH BABAO MULTI-MATERIAL INLAY OF CRANES AND PINES 尺寸：L:34cm;W:120cm 大漆地。一組四條屏。屏心髹朱紅色大漆，色澤沉潤。以百寶鑲工藝飾松鶴延年圖：螺鈿、碧玉、青金石、壽山石、象牙等鑲出丹頂仙鶴六隻，或飛或立，松竹梅綴其間，祥雲以白綠諸色玉石鑲。外鑲黑紫檀木框，頂設銅掛鉤。四屏連幅，分合有致，為清代掛屏。百寶鑲又稱「周製」，相傳明代嘉靖間揚州周姓藝人始創，於漆器表面以各種珍貴材料鑲出圖案。工序為：先於漆胎上貼圖樣，沿樣邊刻出凹槽，將碧玉、青金、壽山、螺鈿、象牙、瑪瑙等依圖裁成片段，塗漆鑲入槽內，待乾後磨平推光，使各材拼合如畫。松鶴延年圖即賴玉石之色澤區別鶴羽、松針、祥雲。此類掛屏為清代室內壁飾，懸於廳堂。 A set of four hanging panels on a deep red lacquer ground. Using multi-material babao inlay, the panels depict cranes and pines: mother-of-pearl, green jade, lapis, soapstone and ivory form six red-crowned cranes in flight and at rest, among pines, bamboo and plum, with cloud scrolls of white and green hardstones. Each panel is framed in dark zitan wood with a brass hanging loop. Hung as a continuous frieze, they form a Qing lacquer and inlay screen set. Babao inlay, also called zhou-qi after the sixteenth-century Yangzhou craftsman Zhou, is a lacquer technique in which precious materials are set into the lacquer surface. The design is drawn on the lacquer body, channels are cut along its outline, and pieces of jade, lapis, soapstone, mother-of-pearl, ivory and agate are cut to shape, glued into the channels, then ground and polished flush so that the assembled materials read as a painting. On these panels, the different hardstones distinguish crane feathers, pine needles and cloud scrolls.

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