清 剔紅地百寶鑲博古圖掛屏一堂四扇

拍品描述

英文品名：A SET OF FOUR CARVED RED LACQUER WALL PANELS WITH HARDSTONE-INLAID ANTIQUES, QING DYNASTY 尺寸：L:38cm;H:86cm 此為一堂四扇掛屏，木胎剔紅地，滿刻錦紋細地。每扇上部陰刻詩文，下部百寶鑲博古圖：銅瓶、香爐、掛燈、盆栽、如意等古玩，錯落陳列於雕花几案之上，配色雅緻。邊框剔紅雕花卉紋。四扇一堂，互相呼應。為清代宮廷陳設掛屏。博古圖，又稱「博古架」「清供圖」，以各種古器物——銅瓶、瓷器、香爐、盆景、書卷、古玩——組成畫面，寓意博古通今、清雅脫俗。宋徽宗敕纂《宣和博古圖》三十卷，著錄內府藏古器，其後「博古」遂成為繪畫、雕刻、刺繡之常見題材。一堂四扇博古屏，懸於書齋正壁，最顯書卷氣。 This set of four wall panels has a wood core carved red lacquer (tihong) over a finely brocaded ground. Each panel bears an incised poem at the top and hardstone-inlaid antiques below—bronze vases, censers, hanging lanterns, potted plants and ruyi scepters arranged on carved tables, in elegant colours. The borders are carved red lacquer with flowers. The four form a coherent hall set. It is a Qing court display screen. Antiquities (bogu) scenes arrange archaic objects—bronzes, porcelains, censers, potted plants, books—into a composition, meaning erudition and refined taste. Emperor Huizong commissioned the Xuanhe Bogu tu in thirty juan recording the imperial collection, and bogu became a standard subject in painting, carving and embroidery. A four-panel bogu set on the main wall of a studio best displays scholarly taste.

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