清 銅羅漢擺件“德光”款

拍品描述

英文品名：A BRONZE FIGURE OF AN ARHAT (LUOHAN), BEARING A DEGUANG MARK 尺寸：W:25cm;H:40cm 銅鑄。羅漢立像：禿頂濃眉，深目高鼻，長髯垂胸，張目凝視，袒胸偏袒，長袍垂身。左手持如意杖，杖首抵於脣邊，右手背於腰後，赤足立於岩石座上。座作天然山巖形，下雕水浪波濤，岩面陰刻「德光」小印。衣紋垂墜流暢，銅色深黑瑩亮，為清代銅雕羅漢擺件。羅漢為佛陀弟子，斷除煩惱、應受天人供養，常住世間護持佛法。常見者為十八羅漢，各有式樣：長眉、開心、托塔、降龍、伏虎等。此像持杖立於岩濤之間，長眉深目，氣骨清古，取梵僧胡貌之相。銅質沉穆，衣紋取法羅漢畫傳，為清代佛前清供。 A bronze standing figure of an arhat, bald with thick brows, deep-set eyes and a long beard, chest and shoulder bared, wearing a loosely draped robe. The left hand holds a ruyi-handled staff brought to the lips, the right arm rests behind the back, and the bare feet stand on a naturalistic rock base carved with waves below, the rock face incised with a small Deguang seal. The robe falls in smooth folds, the bronze surface dark and glossy. The arhats were disciples of the Buddha who had overcome the afflictions, recipients of offerings from humans and gods, remaining in the world to protect the dharma. They are commonly grouped as eighteen, each with his own attributes: long-eyebrowed, open-chested, pagoda-bearing, dragon-subduing or tiger-subduing. This figure, staff in hand, standing among waves, with long brows and deep-set features, takes the physiognomy of an Indian monk. The bronze is dark and solemn, the drapery following arhat painting conventions, a Qing devotional piece.

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